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Hi Mike: Really enjoyed this lesson and am having fun playing with the various patterns. But here’s my question: I don’t fully understand why moving the pattern up the neck so that the root changes, (i.e., from G to A to B etc.) and using the same pattern in each case allows one to play freely in the key of G (or Em). Seems like moving the pattern results in accessing a different pentatonic (A, B, etc.). Does this “work” because you are following the 1,2,3, etc. of the G scale? And if that’s so, then presumably you could do the same by starting on an A root (in the down neck position) and then moving up accordingly, just making sure that you’re moving the appropriate distance in each case.
Hope this makes sense….
Gordon
Thanks for your question.
When you move up to the next pattern, the root note isn’t actually changing, that’s where you might be getting confused.
All you’re doing is starting on a different note of the scale.
So instead of going 1,2,3,5,6,1 (position 1) you’re going 2,3, 5, 6, 1, 2 (position 2), etc….
If you want to play the same idea with the A note being the root, you’d need to start with position 1 on the A so then you’re playing the A major pentatonic scale.
If you have any other questions let me know. Hope this makes sense.
– Mike
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