Kind of an off the wall question, but even though this song is in the key of G, you use a G7 to lead to a C chord in measure 2. I guess that’s OK due to the circle of fifths, where a G7 -> C, but I’m curious why there’s never a D7 leading back to a G in this set of backup material. All of your D chords seem to be straight up D chords. Is that because this is a hymn? Is there some kind of rule that says stay away from V7 -> I chord progressions in hymns?
You could definitely use a D7 if you wanted in this backup, there’s nothing that rules that out in hymns and nothing harmonically that would make the D7 not work.
This just came down to personal preference in this case, a D7 has a little more tension harmonically (because of the C note) than just a standard D chord. I just enjoyed the sound of the standard D chord when I wrote up this backup arrangement.
But there’s definitely times when I’ve played this song and added a D7.
If you have any more questions let me know.
This reply was modified 1 year, 9 months ago by Mike.
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